本文就柳城新近修订再版的专著《影视三字经》展开评述,该书采三言诗格,以九章为体,惟东方华夏文脉为本,探求电影的艺之魂、美之境。全书仅900来字,言简而意赅,无处不浸染着雅言和哲思。它诞生于20、21世纪之交,深刻地体现了中国电影及其理论建树正自觉地融入了全球文化多边互动的语境,可贵地彰显了惟中国文化所独有的理论品格。 This essay reviews Liu Cheng’s newly revised and revised monograph entitled “The Three Character Classic of Film and Television”. The book adopts three characters of poem, taking nine chapters as the body, but based on the Eastern Huaxia culture, explores the artistic soul and beauty of the film. The book is only 900 words, concise and intended, ubiquitous with elegant words and philosophy. It was born at the turn of the 20th and 21st centuries and profoundly reflects that the Chinese film and its achievements in theory are being consciously integrated into the context of the multilateral interaction of global cultures and valuablely demonstrating the unique theoretical character of Chinese culture.