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上个世纪20年代末期以及30年代初期的时候,在中国现代文坛上出现了一个在小说这种文学体裁的领域内写作运用心理分析与意识流的方法,竭力去表现现代都市人的生存困境,进而写意出一种“奇异的陌生化”的文本效果的流派。可以说,这一流派如此的写作模式,彰显出了鲜明的西方现代主义的色彩。这一流派的代表作家即是刘呐鸥、穆时英、施蛰存、叶灵凤等,而他们的“流派”亦被称为“新感觉派”。本文即意在从西方现代主义思潮这一大的方面和日本新感觉派小说写作这一小的方面,结合具体的文本来分析论述“新感觉派”小说体现出的鲜明标志性特征,以此来说明中国现代小说在发展过程中难以忽视的与异域因素影响之间的密切关系。
In the late 1920s and early 1930s, a method of using psychological analysis and stream of consciousness emerged in the modern Chinese literary world in the field of literary genres such as novels, trying hard to show the predicament of modern metropolis, And then write a kind of “strange strangeness” text effect genre. It can be said that this school of writing such a model, highlights the distinct colors of Western modernism. The representative writers of this genre are Liu Naou, Mu Shiying, Shi Zhecun, Ye Lingfeng and so on, and their “schools of genre” are also called “new sensationists.” This article intends to analyze and comment on the distinctive iconic features reflected in the novel of “New Sensationalism” from a large aspect of the trend of Western modernism and the novel writing of a new sensation novels in Japan. In order to illustrate the close relationship between the influence of exotic factors and the influence that modern Chinese novels can not be ignored in the development process.