中国的山水画有一套独特的审美话语,而这套审美话语落实在现实中,就是每一个中国人多少都信奉的风水理论——凡山,石多出仙人、土厚出圣人、林密出妖精;凡水,河清出贤达、溪缓出隐士、潭深出酒徒。作为难得的既精通笔墨、又精通风水的郭嘉先生,其山水画作在中国国家画院进修时便已满纸灵气,近年来,他又沉浸于“奇异山水”的创作,读来倍觉气象新新。中国传统的精神世界在追求自觉地融入天 Chinese landscape painting has a unique aesthetic discourse, and this set of aesthetic discourse is implemented in reality, that is, how many Chinese people believe in Feng Shui theory - where there are more immortals, Where the water, clear out the river, creek slowly out of recluse, Tan deep drinker. As a rare artist who is proficient in writing and feng shui, Mr. Guo Jia’s landscape paintings are full of aura when he undertakes his studies in the National Art Academy of China. In recent years, he has been immersed in the creation of “exotic landscapes” New weather. The traditional Chinese spiritual world is pursuing consciously into heaven