戏曲不正说历史人物,有时也曲解神话形象。不少备受尊崇和礼拜的神佛,完全以有别于传统的另一种搞笑甚至是荒诞不经的面孔在戏曲中出现,使观众在观剧时骤然扭转惯性思维,一面不可理喻着,一面哑然失笑着。而这些被戏噱和颠覆的神佛形象,或品行不端,如《五子告母》中的阎王、《普天乐》中的门神;或地位低下,如《打灶王》中的灶王、《百鸟朝凤》中的厕神、《送穷》的穷神;或性情 Opera does not speak of historical figures, sometimes misinterpreting mythical image. Many respected and worshiped gods and goddesses completely appear in the drama with another kind of ridiculous or even absurd face which is different from the traditional ones. When the audience suddenly reverses the inertia thinking while watching the drama, Side of a dumb smile. And these are the gimmick and subversion of the image of God, or misconduct, such as “Five” and “Potevio” in the door god; or low status, such as “kitchen king” in the kitchen king, The toilet god in “100 birds toward the phoenix”, the poor god who “sent the poor”; or the temperament