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电视舞蹈作为现代新媒体技术的新兴交叉艺术,长期以来更受人关注的是创作过程中舞蹈语言与影像语言的融合,如何将舞蹈语言解构、重构形成特有的意味,影像语言如何给舞蹈一个新的运动空间等问题。然而,一种新艺术类型的成熟,与自身是否建立了独特的美学品格有关,这正是目前电视舞蹈创作面临的重要问题。笔者以为,电视舞蹈若想真正在中国扎根生长,就必须经历“中国化”的历程,而这一历程的主要路径之一,就是在现代的电视舞蹈创作中融入中国传统的审美意蕴。本文以中国电视舞蹈创作领域的代表人物白志群的电视舞蹈作品为案例,分析其作品视觉意境所传达出的中国传统美学意蕴,对如何建立中国电视舞蹈创作审美品格这一问题进行了思索。
Television dance, as the emerging cross-art of modern new media technology, has long attracted more attention because of the integration of dance language and video language in the process of creation, how to deconstruct and reconstruct the dance language to form unique meanings and how the video language can give a dance New sports space and other issues. However, the maturity of a new art type is related to whether or not itself has established a unique aesthetic character, which is an important issue currently facing the creation of television and dance. The author believes that if the TV dance really takes root in China, it must go through the course of “Chineseization.” One of the main approaches to this journey is to incorporate the aesthetic connotation of Chinese tradition in modern television and dance creation. This paper analyzes the traditional Chinese aesthetics conveyed by the visual mood of his works based on the television and dance works of Bai Zicun, a representative of Chinese TV dance creation field, and ponders over how to establish the aesthetic character of Chinese TV dance creation.