文学的边缘优,文学的庸俗化,文学的快餐化,文学的颓唐化已经成为我们描述20世纪最后一些年头中国当代文学无法回避的文化现象。我倾向这样的看法,那是中国当代文学的精神病态,退化和失落。尽管我们不断听到欢呼中国当代文学新突破,中国当代文学进入前所未有的繁荣期的声音,但在事实上,中国当代文学长期在低谷中徘徊。分析这种困扰的理论评论文章颇多,大多把原因归咎于商品化大潮的冲击与诱惑,而很少有人去探讨中国文学自身的失败。 我愿意坦率地说。这些年来,中国当代文学总体上来说是失败的。再深入一点,就是说,这是中国作家日益丧失社会 The marginalization of literature, the vulgarization of literature, the fast food of literature and the degeneration of literature have become the cultural phenomena that we can not avoid in the Chinese contemporary literature in the last years of the 20th century. I tend to think that it is the psychosis, degeneration and loss of Chinese contemporary literature. Although we continue to hear cheers of new breakthroughs in contemporary Chinese literature and the advent of contemporary Chinese literature in an unprecedented period of prosperity, in reality, contemporary Chinese literature has been hovering for a long time. There are quite a few theoretical commentary articles analyzing this distress. Most of the reasons are attributed to the impact and temptation of the tide of commercialization, and few people have ever discussed the failure of Chinese literature itself. I am willing to say frankly. In recent years, Chinese contemporary literature has generally failed. To go further, that is to say, is the growing loss of Chinese writers