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范仲淹的《江上渔者》、梅尧臣的《陶者》、张俞的《蚕妇》都是宋代的优秀作品,它们都是描写不被人们注意的劳动生活场景,直接反映了生活底层人民的疾苦,揭露了剥削阶级不劳而获,坐享其成的社会现实。一首写吃鱼人只知鲈鱼的鲜美,却不知捕鱼人出生入死,与风浪搏斗的艰辛;一首写窑工劳动而不得美居,富贵人家不劳动却“鳞鳞居大厦”;一首写蚕妇进城卖丝后的感叹,浑身穿着绫罗绸缎的,没有一个是养蚕人,诗人们用他们那支饱蘸着深情的笔,代广大劳动人民,发出了一声声悲愤的控诉。
Fan Zhongyan’s “Jiang Shangyu”, Mei Yichen’s “Potter”, and Zhang Yu’s “Silk Woman” are all outstanding works of the Song Dynasty. They all depict the labor life scenes that are not noticed by people and directly reflect the people living in the bottom of the country. The hardships revealed the social reality of the exploiting class for nothing. A man who writes fish only knows the deliciousness of the squid, but he doesn’t know the hardships of the fishermen’s birth and death, fighting with the wind and waves; a kiln laborer is not allowed to live in the US, and the wealthy people do not work, but the “scale scale house”; After writing silkworm women into the city to sell silk, they sighed. None of them were sericulturers. The poets used their pens with affectionate emotions to write a grievance against the working people. .