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电视剧批评是所有文艺批评中最年轻的一种,差不多也是其中最差劲儿的一种。它几乎伴随着电视剧而诞生,然而,十几年风风雨雨的摔打过后,电视剧创作已经趋于成熟,电视剧批评却还在蹒跚学步。没有真正的专业电视剧批评家。甚至没有多少有见地的文章。少数闪烁着思想火花的优秀批评文章刚一出现,立刻被平庸之作的汪洋大海淹没掉。到目前为止,电视剧批评基本上还停留在业余水平上。几位从文学界、电影界“借调”来的批评人士,开始的确给电视剧批评带来一股清新的风,但不久就忙于匆匆奔赴各类新闻发布会、研讨会,翻来覆去地重谈几遍老调,令人怀疑他们的水平。批评与创作相脱节。充斥报纸、杂志的大量评论,
Drama criticism is the youngest of all literary criticism, almost one of the worst among them. It was born almost with the TV series. However, after more than 10 years of ups and downs, the production of TV series has become mature, while the criticism of television series is still toddler. No real professional drama critics. There are not even many insightful articles. A handful of excellent critical essays, sparkling with thought sparks, were immediately overwhelmed by the sea of mediocrity. So far, the criticism of television plays basically stays at the amateur level. Some critics who were “seconded” from literary and film circles did indeed bring a fresh air of criticism to the drama but soon they were busy hurriedly going to press conferences, seminars and over and over again Old tune, people doubt their level. Criticism and creation are out of touch. Full of newspapers, magazines, a large number of comments,