新世纪以来,文学创作走进历史深处并对其作还原、解构或重构式的表达,已经成为令人瞩目的文学存在。那些关乎历史的再叙述,激活了人们对已逝年代的多重想象。我们看到,在这些作品极端描写叙事的背后,作家们建构起来的恰恰是对那些历史有意的模糊性书写。格非的《人面桃花》在革命话 Since the beginning of the new century, literary creation has entered the depths of history and has been restored, deconstructed or reconstructed. It has become a remarkable literary existence. Those re-narration about history has activated people’s multiple imagination of the late age. We see that behind these works describe the extreme narrative, the writer is constructed precisely for those vague intention of the history of writing. Ge Fei’s “peach blossom” in the revolutionary words