1943年在太庙展出的《流民图》被视为中国绘画史上的重大事件。这幅中国人物画是有史以来幅面最大的表现现实生活的写实的纸上作品。作品对近现代中国画的发展(包括思想、艺术、技术、教学、展出等方面)具有革命性的引导作用。同时,也使蒋兆和和徐悲鸿一样成为将西方素描和中国线描、墨彩结合的艺术开拓者而屹立于史。以日寇铁蹄之下哀鸿遍野的难民为模特,倾两年时间 In 1943, the “Migrant Workers” exhibited at the Imperial Ancestral Temple was regarded as a major event in the history of Chinese painting. This Chinese figure painting is the largest format in the history of real-life realistic paper works. Works of modern Chinese painting on the development (including ideas, art, technology, teaching, exhibitions, etc.) has a revolutionary guiding role. At the same time, it also made Jiang Zhaohe and Xu Beihong the same historical pioneers who combined Western sketches with Chinese line drawings and ink colors. For two years, the model of refugees who have been bewildered by the Japanese invaders under their heels