年纪渐长,对陶渊明的理解也慢慢深刻起来。年轻时读到萧统的《陶渊明传》,看到书中有这样一段记载:渊明不解音律,而蓄无弦琴一张,每酒适,辄抚琴以寄其意。他喜欢抚琴,但是他的琴没有弦,他是只抚不弹。别人对他这种“弹琴”的方式很不理解,他却说:“但识琴中趣,何劳 Older, understanding of Tao Yuanming slowly deepened. When he was young, he read ”Tao Yuanming Biography“ by Xiao Tong. When he saw the passage there was such a passage: Yuan Ming did not understand the musical temperament, but did not have a piano. He likes the fuqin, but his piano has no strings, he is only careless. Others do not understand this way of ”playing the piano,“ but he says: ”