中国花鸟画的构图和其它绘画一样,有其一定的法则和鲜明的特点。“六法论”中的一法便是经营位置,也就是构图。历代画家在长期的创作实践中总结出了不少的经验,如“宾主”、“呼应”、“开合”等等。现结合图例来加以分析。一、主次分明虚实相生任何事物都有其主次之分,绘画也不例外。在一个画面中,形象的大小,距离的远近,颜色的明暗乃至空间的分割,都能在人们的视觉中产生主次虚实的变化。 As with other paintings, the composition of Chinese bird paintings has its own certain laws and distinctive features. One of the “Six Laws” is the business location, that is, composition. The ancient painters summed up a lot of experience in long-term creative practice, such as “guest host”, “echo”, “opening and closing” and so on. Now combined with the legend to be analyzed. First, the primary and secondary clear distinction between true and false everything has its own primary and secondary points, painting is no exception. In a picture, the size of the image, the distance of the distance, the color of the light and shade and even the segmentation of the space, can produce visual changes in the primary and secondary reality.