一、总体设想电视连续剧《悬崖百合》改编于同名小说。原小说作者无意于讲一个完整的故事。他用自传体、散文化的方法,把自己心目中闪光的记忆碎片沉浸在诗的意境里,不断展示自然的诗意、友谊、爱情和手足之情,表现了当年延安的孩子们对动荡不安、灾难深重的世界处之泰然。电视连续剧《悬崖百合》的作者,在改编的时候,充分注意到了渗透在原小说每一页中的本质之所在。剧本在原小说的基础上,注意到:时间上,古今纵贯(延安时代与当今)。空间上,中外横跨(延安与巴黎)。作者力图在这时空上,在古今中外纵贯横跨的独 First, the overall design TV series “Cliff Lily” adapted from the novel of the same name. The original novelist is not intended to tell a complete story. He used the method of autobiography and prose to immerse himself in the poetic conception of the glittering memory fragments of his own mind. He continued to show the natural poetic, friendship, love and brotherhood, showing that the children in Yan’an were uneasy about turmoil, Catastrophic world empathy. The author of the television series “Cliff Lily” fully noticed the essence of infiltration in every page of the novel when it was adapted. On the basis of the original novels, the script notices: Time runs through both ancient and modern times (Yan’an Times and Today). Spatially, both at home and abroad (Yan’an and Paris). The author seeks to cross this independence in all times and in all places, both at home and abroad