法国著名动画影片《美丽城三重奏》让我们感到既熟悉又陌生。熟悉的是,法国艺术家们的创作理念、创作状态和制作程序也正是我们的前辈和我们自己曾经历过的。陌生的是,20多年来,正当我们拼命地“与世界接轨”时,这些来自发达国家的人,却还在坚持我们曾一直恪守,如今却欲放弃的艺术理念,保持着朴素的创作热情,在商品社会里,用相对于好莱坞而言十分可怜的资金,制作出超级艺术大片。在贯彻广电总局繁荣我国动画产业意见,推进国产动画业改革发展的今天,研究法国动画片《美丽城三重奏》,会绐我们带来多方面的思考。 France’s famous animated film “Beautiful City Trio” makes us feel both familiar and unfamiliar. Familiar with the French artists creative ideas, creative state and production process is exactly what our predecessors and we have experienced. Strangely enough, just as we desperately tried to become “in line with the rest of the world” for over 20 years, these people from the developed countries are still adhering to the artistic concept that we have always abide by, but now we are willing to give up and maintain a simple creative enthusiasm. In a commodity society, making super-art blockbusters with very poor funds relative to Hollywood. In carrying out the SARFT prosperity of China’s animation industry, promoting domestic animation industry reform and development today, the French animation “beautiful city trio”, we will bring us many thinking.