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我听我们老前辈说过,评戏从在农村的地上画圈演出到搬上舞台以后,就沿着两条道路前进:一条道路是便装戏,也就是现代生活的戏;另一条道路是古装戏,可是在评戏的古装戏里从来没有表演皇帝的戏,都是表现一般的民间生活.我们的便装戏都是按照现代的社会生活中的事件来编写的,编剧本的都是艺人自己,当时没有专门为评戏写剧本的作家.这个时候也是评戏开始大量吸收其他各剧种戏曲的阶段.当时的便装戏如“杨三姐告状”“爱国娇”等都是.“爱国娇”是反对日本帝国主义的戏,是我们老前辈李金顺演的.当时这个戏的演出受到了统治阶级的种种迫害.但在音乐上这个戏已经有了发展,加上了很多乐器,吸收了大鼓腔和别的兄
I have heard from our veteran that after the performance of the Pingju opera on the ground in the countryside and onto the stage, the commentary moves along two paths: one is casual wear, that is, the play of modern life; the other is the costume However, in the costume drama of the critics, the performance of the emperor’s scene has never been performed, and all of them show the ordinary folk life. Our casual plays are all written according to the events in the modern social life, At that time, there were no writers who specially wrote scripts for the drama of the play, which was also the stage when the opera began to absorb a great deal of opera of other operas.At that time casual play such as “Yang Sanjie sued” and “Patriotic Jiao” Patriotic Jiao "is against the Japanese imperialism drama, is our predecessor Li Jinshun acting, when the show’s performance by the ruling classes of persecution, but the music has been the development of this play, coupled with a lot of musical instruments, Absorbed the drum cavity and other brother