阿兰达蒂·洛伊的小说《微物之神》一反传统小说重视时间逻辑的叙事方式,采用独特的空间诗学,建构了一系列推动情节发展的叙事空间,以此来传递她的现实理想。她建构了以河流及其周边地域为代表的想象空间、以岸上的世界形成的现实空间和由于受后殖民主义和陈旧传统影响而生成的杂交空间,这些空间不再是故事发展的沉默背景,反而对情节的发展和主题的深化发挥了重要作用。本文着重探讨《微物之神》的现实空间。 Arandati Loei’s novel God of Truth, a traditional anti-traditional novel, emphasizes the narrative mode of time logic and uses unique spatial poetics to construct a series of narrative spaces that promote plot development in order to convey her reality ideal. She constructed the imaginary space represented by the river and the surrounding area, the real space formed by the ashore world and the hybrid space generated by the influences of post-colonialism and the old traditions, which are no longer the silent background of the story development. Instead, it played an important role in the development of the plot and the deepening of the theme. This article focuses on the realistic space of “the god of the micro objects”.