“老《夜半歌声》以恐怖感争取了不少观众,我们则赋予新的哲理,以画面的美感和镜头的造型感,以及人物的心理感受和现代节奏去吸引观众,让观众用八十年代的眼光看待发生在三十年代的悲剧故事。”这是新《夜半歌声》导演的话。 非常不幸,单以被毁容后的宋丹萍的镜头(特别是面部特写)次数而论,新片确远远超过了旧片。 新片在恐怖感上可谓“青出于蓝”,——如果旧片果真是以恐怖取胜的话。 “The old” half-night song “has won many audiences with a sense of terror. We have given new philosophies to attract viewers with the beauty of the picture and the style of the lens as well as the psychological feelings of the characters and the modern rhythm, Look at the tragedies that took place in the 1930s. ”This is the words of the director of the new“ Half Dome ”. Unfortunately, the number of Song Duping’s shots (especially facial features) after the disfigurement is much higher than that of the old one. The new movie can be described in the sense of terror, “out of the blue,” - if the old movies really win terrorist words.