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易卜生诗剧《诺尔玛,或政治家的爱情》中“半神半人”的意象值得特别关注,不仅仅是因为它蕴涵的神话成分为诗剧带来了寓言性质,更是因为它是整个剧情发展的聚焦点。“半神半人”意象存在有三重隐喻:一是爱情的困惑,以精神和身体的“性情”而表达;二是宗教的批判,体现了神和宗教的价值观念;三是政治的讽刺,以社会各阶层复杂情形体现党派纷争。作家正是以“半神半人”为中心形成了多层性环状体,既容纳着作家此时此地的艺术创造,也容纳着作家与民族历史的大胆对话,体现了多样性与浑厚感的高度统一。
The image of “demigods” in Ibsen’s play “Norma, or statesman’s love” deserves special attention, not only because the mythological components it implicates bring a fabled character to poetry drama, but more Because it is the focal point of the development of the story. There is a triple metaphor for the semi-divine semiotic imagery: first, the perplexity of love is expressed by the “nature” of spirit and body; second, the critique of religion embodies the values of God and religion; thirdly, The irony of politics shows the factional disputes over the complicated situations in all walks of life. The writer formed a multi-layered ring centering on the half-god half man, which not only accommodates the artistic creation of the writer here and now, but also embodies the bold dialogue between the writer and the national history, embodies diversity and A sense of deep unity.