“日出江花红胜火,春来江水绿如蓝,”红日、绿水、蓝天,对比鲜明,诗人对江南大好美景的依恋之情跃然纸上,苏轼的“接天莲叶无穷碧,映日荷花别样红,”绿叶衬红花,风韵动人,诗人之所以能创设出如此美的诗境,来源于作者对文字的雕饰,来源于恰当的摹色,启人联想。所谓摹色,即通过对 “Sunrise Jianghuahong wins the fire, the spring comes green and blue,” the red sun, the green water and the blue sky contrast sharply. The poet’s attachment to Jiangnan’s beautiful scenery vividly reflected on the paper. Su Shi’s “infinite green sky” The lotus flower is different from the others. "The green leaves are lining with red flowers, and the charm is moving. The poets can create such a beautiful poetic environment. They come from the author’s carving of the text, and come from the appropriate shading and inspiration. The so-called black color, that is, through the