A(江冰):90年代现实主义小说的确与80年代不同。关于这一点评论界已经说了许多,我的看法可以归纳为两个基本点:一、“主题的焦虑”消失了。作家不再为表达某一个主题思想那么迫不急待、焦躁不安,因此反而显得更深刻,更从容不迫;二、“艺术的混响”形成了。我在80年代初有一个看法,认为我们的文学在艺术上将经过“充分分化之后的整体把握”的过程。现在 A (Jiang Bing): Realistic novels in the 90s are indeed different from those in the 1980s. The commentators have already said so much in this regard. My point of view can be summed up in two basic points: First, the “anxiety of the subject” disappears. Writers are no longer in a hurry to express a certain theme, restless, so they seem more profound and more unruffled. Second, the “art of reverberation” was formed. I had an opinion in the early 1980s that our literature would go through art as an “overall grasp after full differentiation.” just now