从全国第二届楷书作品展的作品来看,取法参照相对集中,多取晋楷、魏碑与唐楷以及宋元明清的少数几种,楷书创作中经典的参照相对狭窄。每一时代都有其经典,但很多书家在取法的时候往往关注点都是相似的。楷书审美风格的嬗变是动态的,如果将楷书的滥觞上溯至东汉末年,将唐代作为楷书成熟的下限的话,楷书衍生发展约略经过七百余年,在这七百余年间所遗留的楷书样式多彩斑斓,有锺繇古质与王羲之今妍相区别 Judging from the works of the second regular script works exhibition in the country, the reference to the method of reference is relatively narrow, with the exception of a few references to Jin Kai, Wei Bei, Tang Kai and the Song, Yuan, Ming and Qing Dynasties. Each era has its own classic, but many bookmasters tend to pay attention to the points are similar. The evolution of the aesthetic style of regular script is dynamic. If we trace the beginning of regular script to the late Eastern Han Dynasty and the lower limit of regular maturity of the regular script in the Tang Dynasty, the development of regular script derives slightly over seven hundred years and the regular script left over in the seven hundred years Colorful gorgeous style, there Zhong Zhong and Yan ancient nature of the difference