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有幸在《戏剧之家》2002年第6期读到熊妹与我商榷的文章《箭在弦上不得不发》,多年来熊姝所在的中国艺术研究院戏曲所安葵所长经常写文章和我商榷,令我从中受益颇丰。现在又读到熊姝的文章,有机会和戏曲研究所两代学人公开且平等地讨论问题,于学问之外,更深感戏曲所上上下下充溢着浓厚的学术气氛,殊为难得。但是涉及到具体的观点,不能仅仅止于感慨。熊姝文章里有几段令人感到奇怪的话,是我觉得需要加以说明的。第一段是有关民间戏班何时趋于绝迹。熊姝的文章是这样写的:
Fortunately, in the “House of Drama,” No. 6, 2002, I read the article Xiong Mei talks with me, “Arguably, I have to send hair”. For many years, director Xiong Shu’s drama director An Kui often wrote articles with me I am greatly benefited from it. Now I read the article by Xiong Shu. I have the opportunity to discuss the issue openly and equally with two generations of scholars in the Drama Research Institute. Apart from my studies, I deeply feel that there is a strong academic atmosphere in the opera. But related to the specific point of view, can not just stop feeling. There are a few strange words in Shu’s article, which I think I need to explain. The first paragraph is about when the folk troupe tends to be extinct. Xiong Shu’s article is written like this: