论文部分内容阅读
阿拉伯中世纪苏菲文学家常用“私语”或“静默交谈”文体,借助与“安拉”私密对话的方式,将个人与宇宙、自白与宽恕、真理与语言、精神追求和现实冲突之间的关系诉诸笔端,倾诉自我的不安、孤独、怨情、苦闷等世俗化情感,折射出中世纪阿拉伯苏菲文人的存在主义观。10世纪苏菲派著名神学家、文学家阿布·哈彦·陶希迪的《神示》是这一文体的典范。作者在该作品中表现出“多面自我”和“本我”之间即依存又矛盾、即交织又排斥、即统一又分离的关系,主张寻求多元的统一,强调矛盾的普遍性;同时,作者从形而上学层面,为认识真理过程构置了形式,即“呼唤”与“回应”的转换性结构范式,意即苏菲派所追求的终极人生意义——“人主合一”。
The Arab Middle Ages Sophie writers used “whisper” or “silent conversation” style of writing to communicate personal and cosmos, confession and forgiveness, truth and language, and spiritual pursuit with the help of “Allah” private conversations The relationship between reality conflicts resorts to writing, to talk about self anxiety, loneliness, resentment, depression and other secular feelings, reflects the medieval Arab Sufi existentialist view. The “Deity” of the famous writer and writer of the Sufi school in the 10th century, Abu Hassan Taoxi Di, is an example of this style. In this work, the author shows the interdependence and contradiction between the “multiple self” and the “self”, that is, interweaving and exclusion, that is to say, the relationship of unity and separation, and advocates seeking pluralistic unity and emphasizing the universality of contradiction At the metaphysical level, the author constructs a formal form for the process of understanding the truth, that is, the paradigm of transformational structure between “call” and “response”, meaning the ultimate life meaning pursued by the Sufiists - Human unity ".