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本文通过后殖民主义角度分析,认为《福》中的星期五是底层人,但又以其能动的自我表述进行主体性建构,尽管这样的建构最终被西方话语误读并解构。《福》对星期五被割舌的直白描写揭示《鲁滨逊漂流记》对星期五“理想奴隶”的美化,说明星期五一方面被西方男权、另一方面又被西方女性双重边缘化的处境,完全失去话语的星期五变成了底层人;但是底层人能够通过非语言方式的行为等进行主体建构,具有底层人意识的星期五也通过行为试图建构主体性,然而这些行为却一再被第一世界代表苏珊误读和解构。因此,通过完全失语的星期五的形象,《福》揭示了西方意识形态中存在的东方主义思想,并以此对东方展开解读、建构、边缘化,进而实现对东方的控制。
Through the analysis of postcolonialism, this article argues that the Friday in Blessed is the bottom class, but the subjectivity is constructed by its active self-expression, though such construction is eventually misunderstood and deconstructed by Western discourse. The straightforward depiction of “blessing” on friday by Friday revealed that “Robinson Crusoe” landscaped Friday “ideal slave”, indicating that on Friday, on the one hand, the Western patriarchal power was on the other hand being double-marginalized by Western women Friday, the utter loss of discourse became the underclass; but the underclass was able to construct the subject through non-verbal acts, while the undeclared Friday attempted to construct the subjectivity through acts. However, these acts were again and again Susan, a world on behalf of misreading and deconstruction. Therefore, through a complete aphasia friday’s image, “blessing” reveals the Orientalism existing in the western ideology and uses it to interpret, construct and marginalize the east and to achieve control of the east.