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《色·戒》中的王佳芝与斯丹达尔笔下的法尼娜·法尼尼,这两位来自东西方、身处不同时空语境中的女性,却呈现出某些相似的经历体验。本文将从人物的性格特征、欲望诉求、人性局限及所遭受的男权、革命伦理压迫几个角度出发,探究其形象共通性与灵魂普遍性,并揭示这两部作品对革命加爱情的传统叙事手法的叛离与突破,以求在这两部作品社会角色与人性灵魂研究方面达到一个新的突破。
Wang Jiazhi in The Color and the Ring and Farina Farnini in Standall, two women from the east and west who are in different contexts of time and space, present some similar experience experiences. This article will explore the commonalities of images and the universality of the soul from the perspectives of the character’s character, the appeals of desire, the limits of human nature, the male powers suffered and the oppression of revolutionary ethics, and reveals the tradition of adding love to the revolution in these two works The rebellion and breakthrough of narrative techniques in order to achieve a new breakthrough in the social role of these two works and the study of human soul.