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作为当代最优秀的藏族小说家之一,次仁罗布的小说作品,无关体裁,无关篇幅,皆仿佛一场场藏民族生活的史诗,充满了边地高原上独属的传说与神话的魔幻气质。他自己则时而如雪峰上盘旋的苍鹰,冷静而热烈地凝视着那片高原大陆;时而又有如他的作品《神授》中被天神赋授奇功,说唱《格萨尔王》的放牧娃亚尔杰,日夜不息地说唱着那片令人心魂迷醉、灵魄激荡的神性高原。这神性,不仅仅因为神话与传说,却是那些魔幻炫彩背后持久而贵重的明亮,这明亮,源于高原上万千年来的信仰以
As one of the best contemporary Tibetan novelists, Tsering Rob’s novels, unrelated genres, and unrelated spaces all seem to be an epic of national life, full of the magical qualities of the unique legends and myths on the plateau . From time to time, he was like a goshawk circling the snow peak, staring calmly and intensely into the plateau of the plateau. Sometimes he was gratified by the divine being in his work “Divinity” and rapped “Gesar King” Baby Yal Jie, endless day and night talking about that piece of soul-stirring, soul-stirring divine plateau. This divinity is not only because of myths and legends, but of the lasting and precious brightness behind those magical bright colors that come from the belief in thousands of years on the plateau