论文部分内容阅读
在十八世纪中期,众多作家开始研究和探讨儿童时期这个主题。此话题和兴趣随着中产阶级的上升而增加。在呼啸山庄中,儿童时期弥漫和占领了整部小说的大半部分。很多评论家对凯瑟琳童年时期对希思可利夫的爱给予了评论。当小说在一八四七年被出版的时候,孩童时期仍然被认为是稚气纯真,懵懂未知和道德纯净,简而言之为:人类堕落之前的纯净——这些观点都来自于浪漫主义时期的传统。然而,艾米莉·勃朗特对儿童时期的视角却和当时时期的看法和观点截然不同,尤其反映在年龄倒位和自我迷恋这两点之中。最近,批评家常常把焦点集中在凯瑟琳,她集中体现着在成年后的自我陶醉和年龄倒位——行为和思想回位到童年。本篇论文,以法国心理分析学家拉康的理论为依据,把重心集中在两位主要女性的个性之中:凯瑟琳和她的女儿凯茜,探讨后者凯茜是否也表达类似于凯瑟琳的倒位的儿童时期及纯真,以及在凯瑟琳个性中体现的自我陶醉在以凯茜新一代的年轻人中,在小说结束的时候何以结束。
In the mid-eighteenth century, many writers began to study and explore the theme of childhood. This topic and interest increased with the rise of the middle class. In Wuthering Heights, childhood infatuated and occupied most of the novel. Many commentators commented on Catherine’s love for Heathcliff in her childhood. When the novel was published in 1847, it was still considered childhood innocence, ignorance of the unknown and moral purity, in short: Purity before the Fall of Mankind - All of these ideas came from the Romantic period Tradition. However, Emily Bronte’s perspective on children’s period is quite different from the views and opinions of the time, especially reflected in the age reversal and self-infatuation. Recently, critics have often focused on Catherine, her concentration of self-adultery and age reversal as adults-the return of behavior and thought to childhood. Based on the theory of Lacan, a French psychoanalyst, this essay focuses on the two main women’s personalities: Catherine and her daughter, Cathy, discussing whether the latter also expressed Catherine’s Inversion of childhood and innocence, as well as the self-Catherine embodied in the narcissism in the young generation of Cathy, when the novel ends.