日前有幸在《戏剧文学》八九年第八期上看到丁涛同志《康德主体性美学思潮与新时期戏剧的超越——对九十年代戏剧艺术发展的瞻望》(以下统称《瞻望》),读后总觉心里多了个负担,沉甸甸的,恍惚中一天天过去,依然不能释然于心。作崇的是自己的怪癖,可以美其名曰责任心。这委实是自讨苦吃。没办法,到头来只得拿起笔来侃上几句,在自己算是解脱,在戏剧算是尽一点责任。学力有限,对《瞻望》文中所谓的“康德主体性美学思潮”“新时期戏剧的超越”“对九十年代戏剧艺 Recently, I was fortunate enough to see Comrade Ding Tao’s “Aesthetic Trend of Kant’s Aesthetic Ideology and the Surpassing of Drama in the New Era” - Looking Forward to the Development of Theater Arts in the 90’s (hereinafter referred to as “Prospect”) on the eighth issue of “Drama Literature” After reading, I feel more than a burden of heart, heavy, trance day by day, still can not be relieved. Praise is their own quirks, you can say the name of responsibility. This is really self-criticism. No way, in the end had to pick up a few words Kan Kan, be liberated in their own, in the theater be a bit of responsibility. With limited academic ability, this article analyzes the so-called “Kant’s aesthetic currents of thought” and “the transcendence of the drama in the new period” in “Outlook”