贾樟柯的电影一向都以关注底层小人物为视角来展现电影叙事美学的深刻内涵,现代叙事伦理有两种:人民伦理的大叙事和自由伦理的个体叙事。贾导电影大多以自由伦理的个体叙事为主,通过运用长镜头运用和展示,来对草根人物的个体存在和生命偶在进行揭示,体现了贾导电影所蕴含的独特的人文关怀。 Jia Zhangke’s films always focus on the bottom of the small people as the perspective to show the profound connotation of film narrative aesthetics. There are two kinds of modern narrative ethics: the big narrative of people’s ethics and the individual narration of free ethics. Most of his films are based on the individual ethics of free ethics. Through the use of long shots and exhibitions, they reveal the individual existence and life of grassroots people occasionally, which reflects the unique humane care contained in the film.