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作品在传统水墨画的表现之上,打破了原有的画面尺寸,以及人们固有的视觉习惯,在整个作品创作过程中从主观意识上对画面进行解构、重组,展现出不同的艺术视觉效果,同时表达了自己对生活以及对艺术的一种认识和态度。作品以干枯的植物和中国古代陶罐为创作素材,将中国画传统的白描手法和现代绘画的构图形式相结合,表现了时间静静的流逝以及生命的沧桑和生生不息。
Works on the performance of traditional ink and wash, breaking the original screen size, as well as people’s inherent visual habits, in the entire process of creation from the subjective consciousness of the screen deconstruction, reorganization, showing different artistic visual effects, at the same time Expressed his own understanding of life and art and attitude. Works of dry plants and ancient Chinese pottery as the creative material, the Chinese traditional white-painted techniques and modern composition of the composition of the painting, showing the quiet passage of time and the vicissitudes of life and endless.