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“饕餮纹”是商代青铜器纹饰中所占数量最多、时间跨度最长的一种纹饰。由于殷商的动物纹饰变化与图案构成有着密切的关系,所以本文从殷商器物的造型方法着手,从中整理出以拼合、融合、对称组合等为基础的三种动物图案变形的方式。再通过与甲骨文的对比研究,来探讨殷商时期的龙、凤、亥鸟、萑鸟等神化动物的构图方法和构图原旨,并在此基础上试说明饕餮纹就是这些神化动物的一种对称组合形式,是以神为本的商人崇拜、祭祀祖先与众神的一种符号。
“Gluttonous pattern ” is the Shang Dynasty bronze ornamentation accounted for the largest number of the longest period of a decoration. Due to the close relationship between the decoration of animal motifs and the composition of patterns, this article starts with the method of styling of artifacts, and organizes the ways to deform three patterns of animal based on combination, blending and symmetrical combination. Through the comparative study with Oracle, this paper explores the composition method and compositional purpose of the deified animals such as dragons, phoenixes, birds of captivity and booby in the Shang Dynasty, and on the basis of this, illustrates that the gluttonous pattern is one of these dens Symmetrical combination of forms, is based on God-based worship of business people, worship ancestors and the gods of a symbol.