艺术家对工作室的态度是多种多样的,并非一律希望拥有大空间。如果说忻东旺更注重人物所在的现场感,岂梦光夫妇已经适应搬来搬去的“游牧”生活;那么,杨茂源对“工作室”几乎没有要求:对我个人来说,有一个两平方米的工作室,一张桌子,够我一个人坐的,就是非常理想的创作空间。但是,他又声明,“这个空间百分之百是我的,就像一个‘发动机’”。实际上他所需要的是一个纯属于“我”的和更适宜于思考的 The attitude of artists to the studio is varied and not always desirable to have ample room. If Xin Dongwang pays more attention to the sense of the scene where the characters are, does Qiumenguang and his wife have adapted to the “nomadic” life they moved to and from there; then Yang Maoyuan almost did not ask for “studio”: for me personally , There is a two square meter studio, a table, enough for me to sit alone, is a very ideal creative space. However, he also stated that “this space is 100% mine, like an ’engine’.” What he really needs is a purely “I” and more suitable for thinking