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本文以对符号定义的诠释展开,探讨符号与情感之间的一种必然联系,说明符号是人捕获情感后将这种感受转化为抽象形象的一种手段,是表达情感的载体和语言,也是一种形式。艺术创作的过程是一种艺术抽象过程,绘画也不例外。无论在你所看到的画面中是否出现具象的形象,它都不再是一个简简单单的、真实的原物体,而是经过处理的、注入作者情感的再生物,是一个具有自身特点但又包含比现实意义更多的符号。因此关于对符号的理解,和对用符号的方式来表达情感这一理论的归纳和总结,是一种指导绘画创作的方法论,沿着这一思路,并在这种理论的指导下,绘画的创作将会更具活力。
This article starts with the interpretation of the definition of symbols and explores a necessary relationship between symbols and emotions. It shows that symbols are the means by which human beings capture emotions and transform them into abstract images. They are the carriers and languages for expressing emotions. A form. The process of artistic creation is a process of artistic abstraction, and painting is no exception. No matter what image you see in the picture, it is no longer a simple and true original object, but a processed re-creature that is infused with the author’s emotion. It is a matter of its own characteristics Contains more than the actual meaning of the symbol. Therefore, the induction and summary of the understanding of symbols and the expression of emotions by means of symbols is a methodology for guiding the creation of paintings. Along this line of thinking, under the guidance of this theory, Creation will be more dynamic.