出场出场,就是演员迈步从侧幕条走到舞台前与观众见面。但是,这种出场与观众见面可不是演员以自己的原来面目与观众见面,而需要演员把饰演的剧中人物之神情姿态贯串于戏曲的程式艺术中去,带戏出场与观众见面。出场的方式很多。在传统戏里有一种“小锣打上”的出场颇为常见,如《击鼓骂曹》的祢衡(生行),《三娘教子》的王春娥(旦行),《宇宙锋》的赵高(净行),《乌龙院》的张文远(丑行),以及《钓金龟》的康氏(老旦)等人物的初次出场,在小锣单调地“台、台”的伴奏中登台,术语又称“坐场”。以下 Appearances, that is, actors move from the side curtains to stage before the audience. However, this appearance with the audience is not an actor to meet with the audience in their own original face, and the actors need to act in the drama of the characters in the posture of the art of drama in the past, the play appeared with the audience. There are many ways to play. In the traditional drama there is a “gong” appearance is quite common, such as “drum scold Cao” Mi Heng (students), “Three Mother Godson” Wang Chun’e (Dan), “Cosmic Front” Zhao (The Bank of China), Zhang Wanyuan (The Ugly Line) of Wulong Hospital and the initial appearance of Kang’s (Diao Dan) who chased the gold tortoise, playing the accompaniment accompaniment to “Taiwan, Taiwan” field". the following