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与一般的信函书写不同的是,情书的炮制通常是在一种精心设定的情境中进行的!时间、场所、信筏乃至书写方式都极其讲究。那些如今业已发黄或飘零如尘的情书曾经怎样地新鲜,带着他或她年轻的体温,穿越山水迢迢,几经辗转,几经期盼,终于使心相遇,使灵魂相拥。情书的妙处恰恰在于其自我书写过程中给书写者带来的迷幻体验。情书这种自我沉醉和想象的有效方式,使书写者因此顺利地完成了一次次不同凡响的自我塑造。这是个言而无信的时代,每个人都像会计一样算计着情感。人们忽略了 E-mail 适合散布病毒,人们只在乎传递的速度和驰骋的快感,哪怕情感变得越来越粗糙。话音是一种转瞬即逝并且无法永久性把玩的东西。笔迹才是心的轨迹。没有情书的生命是残缺的,不写情书是人类共同的悲哀。
Unlike ordinary letter writing, the preparation of a love letter is usually done in a well-defined context. Time, place, credit, and even writing are all extremely stressful. Those who now have yellow or dusty love letters once how fresh, with his or her young body temperature, across the landscape, after being removed, after several expectations, and finally make the heart meet, the soul embraced. The beauty of a love letter lies precisely in the psychedelic experience it gives the writer in his self-writing. Love letter this kind of self-indulgence and imagination of the effective way so that the writer thus successfully completed an extraordinary self-shaping. This is an era of verbal and unbelievable, and everyone calculates their emotions like an accountant. People ignore the E-mail suitable for spreading the virus, people only care about the speed of transmission and gallop pleasure, even if the emotion becomes more and more rough. Voice is a fleeting and inaccessible stuff. Handwriting is the trajectory of the heart. Love without love is incomplete, do not write love letters is a common human sadness.