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随着我国文化体制改革的深入,文艺舞台出现繁荣和发展,良莠不齐的文化市场受到了冲击,文化市场破除传统观念、找准位置面对市场、发挥长处、自我优化,创造出更多人民群众喜闻乐见的文艺作品,已经成为很多声乐演员增进自身修养技艺,保证生存和发展迫在眉睫的问题。三十多年以前,我国的文艺舞台一直延续着以传统为主的演绎形式,舞台的音乐、歌唱经常上演的是西洋唱法的美声和民族唱法的民声。两种唱法各有市场、互不干扰,谁也不跨越对方门槛。那时候的歌曲演唱美声唱法的不能唱中国的民歌,民族唱法的不能唱美声的歌曲,分得很清。时光到了20世纪80年代,随着国门的打开,外来的流行音乐迅速涌进国内,霎时间中国的大街
With the deepening of the cultural reform in our country, the prosperity and development of the stage of literature and art have brought about an impact on the cultural markets that are mixed with each other. The cultural markets have broken away from the traditional concepts and found their place in the face of the market. They have played their strengths and self-optimized to create more loved ones Literary and artistic works, has become a lot of vocal actors to enhance their skills and ensure survival and development of the imminent problem. More than thirty years ago, the stage of our country’s literature and art continued its tradition-based deduction and stage music. Singing often performed the vocals of the Western singing style and the folk singing style. Two singing each have their own market, without disturbing each other, who do not cross each other’s threshold. At that time, the song can not sing the beautiful song of Chinese folk songs, the song of national singing can not sing beautiful song, very clear. Time to the 20th century, 80’s, with the opening of the country, foreign pop music quickly poured into the country, all of a sudden China’s avenue