本文运用空间形式理论,分析西蒙在小说艺术形式革新方面的努力及成就。西蒙在小说中以“意识流”作为结构方式,是其小说空间形式得以生成的前提;在文本具体操作手段方面,西蒙以大量的细节描写中止叙述时间流,造成诸多场景、事件并置的结果,从而为读者营造了一种空间感,形成了小说的空间形式。 This article uses the theory of spatial form to analyze Simon’s efforts and accomplishments in the art form innovation of novels. In the novel, “stream of consciousness ” as the structural mode, Simon’s precondition for the formation of the spatial form of his novels. In terms of textual means of operation, Simon describes the time-flow of narrative narration with a lot of detail and causes many scenes and events to be collocated The result, so as to create a sense of space for the reader, forming the spatial form of the novel.