自从西方雕塑的手法和概念引入中国后,国内雕塑家一直在进行本土化、民族化的探索。但当我们还在继续高喊雕塑民族化口号的同时,雕塑界内部已经开始悄悄异化和跨界。有些雕塑家开始把声光电引入雕塑中,合成立体的视像作品;有些雕塑作品则更像装置,雕塑家们开始将雕塑与装置进行结合,雕塑的边界开始模糊起来。今天,我们已经很难界定哪些人是 Since the introduction of Western sculptures and concepts into China, domestic sculptors have been pursuing localization and nationalization. However, as we continue to shout slogans about the nationalization of sculpture, the interior of the sculpture community has begun to quietly alienate and cross-border. Some sculptors began to introduce acousto-optic into sculptures to synthesize three-dimensional video works. Some sculptures were more like installations. Sculptors began to combine the sculptures with the installations, and the boundaries of the sculptures began to blur. Today, it is hard to define who is