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对中西方艺术之间的差异 ,长期以来中国学界基本持“西方艺术重再现 ,中国艺术重表现”一说。本文对此说持有异议 ,并认为 ,这一说法的成因主要是 ,对西方美学、文学理论著作中“Representation”一词的误译。在这一基础上 ,作者以康德、贡布里希、海德格尔、伽达默尔、梅格—庞蒂和杜夫海纳等人的美学思想为主要探讨对象 ,联系现代西方哲学自康德以来的根本性变化 ,系统考察了现化西方艺术哲学创造性艺术观的确定、发展和变化 ,着重阐发了现代西方艺术哲学对幻觉主义的再现艺术观的批判与否定
The differences between Chinese and Western art have long been characterized by the fact that Chinese academic circles hold the view that “Western art reappears and Chinese art re-appears.” This article holds the objection to this and holds that the reason of this argument is mainly the mistranslation of the word “Representation” in western aesthetic and literary works. On this basis, the author mainly discusses the aesthetic thoughts of Kant, Gombrich, Heidegger, Gadamer, Meg-Ponti and Dufrenne, etc., and links modern western philosophy since Kant , Systematically examines the definition, development and change of the creative art view of the modernized western philosophy of art, emphasizes the criticism and negation of the illusionist art of reproduction from the modern western art philosophy