古人每每将复制因袭、相同的意想营构归结为阅读经验的消极作用。在这种讲究新创的严格尺度下，强调由当下之所感去把握对象的独特特征，写出自己与前人不同的情感体验来。这就提出了某种特定题材主题的创作，若想在传统中力避因循，创作主体该如何把握其中介环节，如何超越审美范式的问题。 The ancients often copy the attack, the same idea of ​​the operation attributed to the negative effects of reading experience. Under such a strict standard of paying attention to new creation, it emphasizes that the unique feeling of the moment grasps the object and writes out the emotional experience different from the previous experience. This raises the question of how a subject should grasp the intermediary link and how to transcend the aesthetic paradigm in the creation of a particular theme.