近年来,我国影坛史诗巨片取得长足的进步,娱乐片也得到相应的发展。相比之下,关注现实、表现当代社会主义新人形象的影片不仅精品力作少,而且整体数量也相当不足,1992年初,全国各制片厂上报的题材规划中此类影片不足全国年产量二分之一。广大观众今天谈起电影,仍在津津乐道八十年代初、中期的《巴山夜雨》、《天云山传奇》、《邻居》、《沙鸥》、《人到中年》和《法庭内外》等,他们呼唤锒幕贴近生活,镜头聚焦社会。这虽然是目前出现的新情况,但实际也是电影创作的老问题,每当国家和社会形势发生巨大转折和飞跃时,客观变化之快,常让我们无法及时适应。当今,我们又面临着这种历史关口,所以理所当然又得研讨一下这个既老又新的话题。 In recent years, great achievements have been made in the epics of Chinese film cinema, and entertainment films have also been developed accordingly. In contrast, the film that focuses on the reality and represents the image of the new socialist modern people is not only poor in quality and less in quantity as a whole. In early 1992, such films submitted by various studios nationwide were less than half of the national annual output one. The majority of the audience talking about the film today, still relish the early 1980s, mid-term “Night”, “Legend of Tianyunshan”, “neighbors”, “Gull”, “middle-aged” and "inside and outside the court Wait, they call 锒 curtain close to life, the lens focused on society. Although this is a new situation now emerging, it is actually an old problem of film creation. Whenever there is a huge turning point and a leap in the situation of the country and society, the objective changes are so fast that we are often unable to adapt ourselves in time. Nowadays, we are faced with this historical juncture again, so we naturally have to discuss this old and new topic.