时间:2011年4月5-6日地点:北京张家书房(接上期)严善錞:前面我们谈到了在“八五”时期大家对绘画中的理性和情感、绘画与人生经验的问题,这种差异可能与我们所受的教育和群体的氛围有关我们总是觉得文学性作为一个创作的对象好像很幼稚、很不靠谱,觉得它与绘画之间的关系比较随意,所以慢慢地就从批评家的视野里消失了舒群可能是从另外一个角度,从人的精神层面来强调这个时代需要具有理性特征的绘画他似乎认为这个 Time: April 5 to 6, 2011 Venue: Beijing Zhang Family House (Continued) Yan Shanyu: Earlier we talked about the issue of the rational and emotional painting and life experience in the “85” This difference may be related to our education and the atmosphere of the group. We always think literature as an object of creation seems naive, very unpleasant, that it is more arbitrary and the relationship between painting, so slowly From a critique of vision, Shu Qun disappeared from another perspective, from the perspective of the human spirit to emphasize the needs of this era with rational characteristics of the painting he seems to think this