斯坦尼斯拉夫斯基有一句看似平淡而寓意深刻的话:艺术作品主要表现的,“不是人举着红旗.而是举着红旗的人。”而在“表现人”的时候,也要着重“表现人的精神生活”。上海电视台八集电视连续剧《天梦》的成功,又一次证明了斯坦尼斯拉夫斯基上述艺术主张的合理性。对于我来说,《天梦》获得成功的最有说服力的征兆是这样一个事实:在我看完《天梦》之后。觉得用“航天题材”这样一个笼而统之的定语来概栝它的内涵已经不够了。《天梦》无疑讴歌了我国的航天事业,但它表现的重点不是人制造导弹,而是制造导弹的人;《天梦》的悬念不是那颗火箭是否能按予定轨道升空,而是这些可爱的剧中人物的人生命运与道德选择;《天梦》中的男女科技人员越是关心火箭升空后的飞行姿态,我们便越是关心这些知识分子的人世生活,《天梦》用形象的力量向全社 Stanislavski has a seemingly plain and allegory saying: The works of art mainly show that “people are not holding a red flag, but a red flag.” In “expressing people,” we must also focus on “ Man’s spiritual performance of life. ” The success of Shanghai TV’s eight-episode television series “Heavenly Dreams” has once again proved the rationality of Stanislavsky’s above-mentioned artistic ideas. For me, the most convincing indication of the success of Heavenly Dreams is the fact that after I read Heavenly. I think it is not enough to use the generalized terminology “space theme” to outline its connotation. “Heavenly Dream” undoubtedly sang the aerospace industry in our country but its performance did not focus on man-made missiles but on those who manufactured missiles. The suspense of “Heavenly Dreams” was not whether the rocket could be lifted on a given orbit but that these The life and moral choices of the characters in the lovely play; the more the male and female scientific and technical personnel in “Heaven Dream” care more about the flying post-rocket flight attitude, the more we care about the life-time of these intellectuals, the image of “Heavenly Dream” The power to the whole community