声无哀乐论》所涉及的音乐美学问题很多 ,但主要包含相互联系的两层含义 :其一是说音乐的本体是来自外在的自然 ,因而不包含哀乐之情 ;其二是说人们在倾听音乐时之所以产生哀乐之情 ,这并非音声使然。音乐与情感各自独立 ,但是在对应的关系层面上两者产生了关系 ,这使得音乐与情感的关系出现多种不同的现象 ,声无哀乐和声有哀乐都有其合理的一面 ,由此可以看出嵇康论述音乐与情感关系的全面性与科学性 There is a lot of music aesthetics involved, but mainly contains two meanings of interrelationship: one is that the ontology of music comes from external nature and therefore does not contain the feeling of sorrow; the other is that people are The reason why listening to music produces sad feelings, this is not sound. Music and emotions are independent, but the relationship between the two has a relationship, which makes the relationship between music and emotions appear a variety of different phenomena, there is no sad sound of music and sorrow has its own sound, which can See Kang Ji discusses the relationship between music and emotion comprehensive and scientific