论文部分内容阅读
20世纪90年代中后期以来,在中国当代艺术的创作中,一直存在着一种倾向,那就是借用“后现代”的艺术观念,对“红色经典”中的图像符号加以借用与混合。虽然艺术家们都很强调对历史
Since the middle and late 1990s, there has been a tendency in the creation of Chinese contemporary art that borrowing the artistic concept of “postmodernism” to borrow from the imagery symbols in “Red Classics” mixing. Although the artists are very stressed on history