编剧对生活观察、体验和思索而赋予剧本的深刻内涵,是难以用几句话概括出来的。这需要在二度创作过程中,再三思之和逐渐领会。 在研读《古船、女人和网》文学本和撰写分镜头、工作台本的过程中,从剧情发展和剧中人物思想脉络走向里,初步看到和感觉到:改革大潮冲击着葛家沟的男女老少,在摆脱传统观念的束缚(尤其是自身束缚)的艰巨、痛苦的蜕变历程中,不仅悲哀地寻求自欺欺人的心理平衡,同时,伴随着充满希望的警醒和震撼的喜悦。 It is difficult for a writer to sum up the profound connotation of the script on life observation, experience and thinking. This needs in the second creation process, think again and gradually understand. During the study of the literary books of ancient ships, women and the nets and the writing of sub-scenes and workbenches, from the development of the plot and the movement of characters in the play, we can initially see and feel that the tide of reform has impacted the men and women in Gejiagou Both young and old, not only tragically seek psychological balance of self-deception in the arduous and painful transformation process of getting rid of the shackles of traditional concepts (especially their own shackles), at the same time, they are accompanied by vigilance and shocking joy full of hope.