有人可以说清《托斯卡》近期的际遇吗?从前,你只需要找来一位充满嫉妒的女高音、一位忠心诚恳的男高音、一个品格坏透的男中音,给他们三人上了发条,故事就自自然然从开场演到散场。可是,不知道为什么,近期从纽约至北京的《托斯卡》制作,都像战役中打败仗的军团一样。更贴切地 Can anyone tell us the recent “Tosca” situation? In the past, you only had to find a jealous soprano, a loyal and sincere tenor, a broken-hearted baritone and three On the winding, the story naturally from the opening to the end. However, do not know why, the recent “Tosca” production from New York to Beijing, like the Legion defeated in battle. More appropriate