现代主义艺术与低俗文化或大众文化的材料之间持续不断的纠缠究竟构成了什么呢?从一开始,前卫艺术就通过认同于边缘的、“非艺术”的表达和展示形式——来自资本主义制造业中的下层阶级的其他社会团体即兴创作的形式——来发现、更新或再造自己。马奈(Manet)的《奥林匹亚》(Olympia)为迷茫的中产阶级公众提供了一幅廉价符号或狂欢背景的扁平而简略的图画, From the beginning, the avant-garde art through the endorsement of the edge, “non-art ” expression and display form - from The forms of improvisation by other social groups of the lower classes in the capitalist manufacturing industry - to discover, renew, or remake themselves. Olympia at Manet offers flat, brief pictures of the cheaper middle class or carnival background to the confused middle-class public,