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表演的好坏同样显示导演功夫的深浅,导演是否把他的工作中心转向表演,这是一个很大的问题。这些年来,有些导演丢掉表演这个主体,这个舞台中心,而把自己的关注转向舞美——把主要的精力放在舞台构成上,空间运用上,也就是放在舞台美术上,因此,出现舞台的错位现象。《留守女士》的最大魅力就在表演。表演不仅是演员的工作,也是导演的工作,导演必须把自己的工作中心转向表演,这是当前迫切要解决的一个问题。 20世纪的戏剧,流派纷呈,进行过各种试验,其中最核心最重要的试验和革新,就是要沟通人与人之间的关系,寻找戏剧发挥人际交往的最佳方式。人与人心灵的沟通,最重要的就是要敞开心扉,自由平等对话,共同探索历史与人生的课题,它的内在奥秘,对历史的和社
The performance of the show also shows the depth of the director’s effort, whether the director turned his work center to show, this is a big problem. Over the years, some directors have dropped the main body of performance, the center of this stage, and have turned their attention to the beauty of the stage - putting the main focus on the stage composition and space utilization, that is, on the stage art, so that the stage Dislocation phenomenon. “Stay Lady” greatest charm at the show. Performing is not only an actress’s work, but also a director’s work. Directors must turn their work centers into performances. This is an urgent issue to be solved. Twentieth-century drama, various genres and various experiments, the most important of which are the most important experiments and innovations, are to communicate the interpersonal relationships and find the best ways for drama to play interpersonal contacts. The most important thing for people to communicate with their souls is to open their hearts, talk freely and equally, and jointly explore the issues of history and life, its inherent mysteries, and the harmony with history