当她静静地伫立时,美得就像一幅艺术品;当她灵巧地跃动时,生动得宛若一个精灵。宋代吴自牧《梦梁录》谈到皮影戏人物造型时称:“公忠者雕以正貌,奸邪者刻以丑行,盖亦寓褒贬于其间耳。”可见,皮影是非常注重象征性、程式化的艺术形式。皮影的造型借鉴了早期佛教造型、壁画、雕塑、民间剪纸等艺术形式。经过千百年的历史积淀以及皮影造型的自律性发展,逐渐形成了独具特色的审美意味。 When she stands silently, the beauty is like a work of art, vivid as an elf as she skillfully leaps. When talking about the modeling of the shadow play, Wu Zimu in the Song Dynasty said: “The public loyalists carve their appearances, and the evil spirits are inscribed with scandal, while the cover also bleak into their ears.” "Therefore, the shadow is very much attached to the symbolic, Stylized art form. Shadow modeling draws on the early Buddhist style, murals, sculpture, folk paper-cut and other art forms. After thousands of years of historical accumulation and shadow modeling self-discipline development, and gradually formed a unique aesthetic meaning.